Friday, October 29, 2010

the lesson is fumble


It's been of those weeks where I've felt tweaked, slammed, and poked by the inability to serenely sail through bumps that could teach me patience and all manner of calm living.  I don't know that I wish for thicker skin--sensitivity being a huge part of who I am and what I do, but I do wish I were better at shrugging off things and tossing out a casual 'meh' and going about my day.

Ah.  Well.  Here's to a new calendar page and beginning again.


Was it dissatisfaction or hope
that beckoned some of the monkeys
down from the trees and onto the damp
forbidden musk of the forest floor?

Which one tested his thumbs
against the twig
and awkwardly dug a grub
from the soil?

What did the tribe above think
as it leaned on the slender branches
watching the others
frustrated, embarrassed,
but pinching grubs
with leathery fingers
into their mouths?

The moral is movement
is awkward. The lesson is fumble.


"Evolution" by Eliza Griswold, from Wideawake Field. © Farrar, Straus and Giroux, 2007.

2 comments:

  1. What a fabulous poem. I love it.

    I guess you've read Tea & Cookies this week; Tara talks about the awkwardness of having to rely on people to help her to move. I guess that's a life lesson, but frankly, I prefer my I am an Island theory. Or I am an Island Who Occasionally Tolerates Tech Boy.

    I'm not sure why you expect calm living. Maybe that's the first problem. Who promised you that rose garden?

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  2. A Hermit Thrush
    by Amy Clampitt

    Nothing's certain. Crossing, on this longest day,
    the low-tide-uncovered isthmus, scrambling up
    the scree-slope of what at high tide
    will be again an island,

    to where, a decade since well-being staked
    the slender, unpremeditated claim that brings us
    back, year after year, lugging the
    makings of another picnic--

    the cucumber sandwiches, the sea-air-sanctified
    fig newtons--there's no knowing what the slamming
    seas, the gales of yet another winter
    may have done. Still there,

    the gust-beleaguered single spruce tree,
    the ant-thronged, root-snelled moss, grass
    and clover tuffet underneath it,
    edges frazzled raw

    but, like our own prolonged attachment, holding.
    Whatever moral lesson might commend itself,
    there's no use drawing one,
    there's nothing here

    to seize on as exemplifying any so-called virtue
    (holding on despite adversity, perhaps) or
    any no-more-than-human tendency--
    stubborn adherence, say,

    to a wholly wrongheaded tenet. Though to
    hold on in any case means taking less and less
    for granted, some few things seem nearly
    certain, as that the longest day

    will come again, will seem to hold its breath,
    the months-long exhalation of diminishment
    again begin. Last night you woke me
    for a look at Jupiter,

    that vast cinder wheeled unblinking
    in a bath of galaxies. Watching, we traveled
    toward an apprehension all but impossible
    to be held onto--

    that no point is fixed, that there's no foothold
    but roams untethered save by such snells,
    such sailor's knots, such stays
    and guy wires as are

    mainly of our own devising. From such an
    empyrean, aloof seraphic mentors urge us
    to look down on all attachment,
    on any bonding, as

    in the end untenable. Base as it is, from
    year to year the earth's sore surface
    mends and rebinds itself, however
    and as best it can, with

    thread of cinquefoil, tendril of the magenta
    beach pea, trammel of bramble; with easings,
    mulchings, fragrances, the gray-green
    bayberry's cool poultice--

    and what can't finally be mended, the salt air
    proceeds to buff and rarefy: the lopped carnage
    of the seaward spruce clump weathers
    lustrous, to wood-silver.

    Little is certain, other than the tide that
    circumscribes us that still sets its term
    to every picnic--today we stayed too long
    again, and got our feet wet--

    and all attachment may prove at best, perhaps,
    a broken, a much-mended thing. Watching
    the longest day take cover under
    a monk's-cowl overcast,

    with thunder, rain and wind, then waiting,
    we drop everything to listen as a
    hermit thrush distills its fragmentary,
    hesitant, in the end

    unbroken music. From what source (beyond us, or
    the wells within?) such links perceived arrive--
    diminished sequences so uninsistingly
    not even human--there's

    hardly a vocabulary left to wonder, uncertain
    as we are of so much in this existence, this
    botched, cumbersome, much-mended,
    not unsatisfactory thing.

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